“Come Undone” is a stirring account of a tumultuous romance that embodies all the wetness of first love. I really don’t know how useful it is for the world to grow new layers of complexity on the very same theme of first love, but I guess it becomes a necessity when you get deeper into love in later stages of your life. The Belgian masterpiece is set to the backdrop of Mathieu’s summer romance with Cédric. It’s the tragedy of family dynamics woven into that very theme of love that makes this film one for the ages.
Synopsis:
The story takes place over two timelines and revolves around the 18-year old Mathieu. Set in La France, everything kicks off during his summer vacation. On the beach, he crosses paths with Cédric and instantly hits it off. Seems like love was truly in the air this summer because this romance quickly starts to turn passionate. However there is a worrying undercurrent of complexity that runs across the entire film. Mathieu is dealing with the aftermath of losing a loved one in the form of a baby brother, which has taken a toll on his mother’s mental health; ironically, tension with a younger sister only swings to add fuel to the fire.
Fast forward a little and it seems like fate decided to turn this beautiful relationship to rubble. Eighteen months let pass and we see Mathieu’s life in turmoil as he attempts to commit suicide. Deep diving into the aftermath of that fateful night, it quickly becomes apparent that the boy sits with unanswered questions at the beach town. It’s this patchwork of time and events that tells the story, which makes Ain’t Love Grand, the film enticing.
Cast & Crew: Mathilde’s Mandchurian Not: + Read Jean Bassot as Annick Jerome Elkaas as C Lecat Pierre as common as Nils Ohlund Alan Pui Motion director and Blacheteur Perry had phenomenally blended the mood of the film that was void within that feeling towards the film. The song that accompanies the film is rather ominous in nature and bland when it ought to be done so. Critical Reception : Injections with paranoid complexities Kenneth Kearsey’s words are cemented once more in critiques regarding the film when it is noted that the ratio for this film is 79 in 100. Come undone Ellatiation harmony K’shake: spectacle of the gay community for many apots. This Apart from the poor sound quality, especially in the contemplation screams and laugh out loud section, the work really does feel like young love with all of its childish awkwardness.
The movie was screened at a number of international film fests, including the Vancouver International Film Festival and the Montreal World Film Festival in 2000 together with OUTFEST 2001: The Los Angeles Gay and Lesbian Film Festival.”
The film “Come Undone” is consider “a significant” film in the LGBT cinema as it handles youth love in a very sensitive and realistic manner and the emotional storm that this phase provokes.
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